The
sculpture describes the ugly duckling in the point of time, where it already
has become a beautiful, white swan, but not yet to own knowledge. It is
swimming in good distance from the other swans, of whom it feels attracted, but
scared to mingle with, as it is just an ugly grey duckling. All of the sudden
it gets the courage and looks down the water-mirror, where it realizes that it
is a beautiful swan.
That very
split second, where the ugly duckling looks at itself in the water-mirror, is
the moment I have tried to withhold in the sculpture. To me this is the most
important moment in the story – and the release.
The symbol
is massive and can immediately be transferred to our own lives and relations to
the surrounding world. Even though the principle of “just who do you think you
are” says, you are nothing, you must not believe it, but instead find your
inner swan and learn to accept it and care for it. That is what the story seems
to tell. To do this you have to look yourself in the eyes. This truth
apparently is very banal, but probably one of the most difficult things to do.
Many people live a whole life and die without discovering their own
self-esteem.
Philosophers
from Kierkegaard to Sartre and poets from Andersen to Tolkien have used a
lifetime to describe this schism. As Hans Christian Andersen says: ”At first
you have to go through so very much, and then you become a beautiful swan.” It
might be that the hardships you go through are what make you a sterling
character, and who knows the horror might be a basis to become a beautiful
swan.
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2003: Fra ælling til svane |